Kurtz is the dark, raw side of humanity. His desires, such as attaining a godlike status where he would be veneered by all, go to the extreme without any proper limits. He is not afraid to go beyond those boundaries, where the "unsound" awaits him- on the contrary, trespassing them is the only way for him to reach the fulfillment of his aspirations. He is the man without the restraints of society. The wilderness along with the 'primitive' culture of the natives have brought this out if him, they have "beguiled his unlawful soul beyond the bounds of permitted aspirations" (p.82). This is why he is so dependent on these people. They have not only given him a sense of power, but they are also what permitted him to 'decivilize' himself, letting loose his most profound desires. It is only through them that he can live with this notion that he can achieve what he wants to achieve: it is through/with them that he can finally live as he wants to live. His ultimate passion is to 'consume' the world: not just gain a dominance over it, but embrace its every aspect, fully grasp its complex integrity, be it.
"L'Enfer, c'est les autres." Jean-Paul Sartre This year in OIB, we will explore the theme of Otherness. What defines the mainstream and how does this mainstream dictate to others? What does it mean to be marginalized? How has the mainstream impacted the world of ideas across time?
Thursday, February 10, 2011
Reader's Response #3
Kurtz is the dark, raw side of humanity. His desires, such as attaining a godlike status where he would be veneered by all, go to the extreme without any proper limits. He is not afraid to go beyond those boundaries, where the "unsound" awaits him- on the contrary, trespassing them is the only way for him to reach the fulfillment of his aspirations. He is the man without the restraints of society. The wilderness along with the 'primitive' culture of the natives have brought this out if him, they have "beguiled his unlawful soul beyond the bounds of permitted aspirations" (p.82). This is why he is so dependent on these people. They have not only given him a sense of power, but they are also what permitted him to 'decivilize' himself, letting loose his most profound desires. It is only through them that he can live with this notion that he can achieve what he wants to achieve: it is through/with them that he can finally live as he wants to live. His ultimate passion is to 'consume' the world: not just gain a dominance over it, but embrace its every aspect, fully grasp its complex integrity, be it.
"The horror! The horror!"
Here's my response to Kurtz's words, "The horror! The horror!". I didn't write about what I said in class today...I didn't exactly have that opinion or think about that when writing...
“The horror! The horror!”
“The horror! The horror!” is the last phrase uttered by Kurtz before he dies. There can, of course, be several interpretations for why Kurtz says this before he dies. First, it could be that he senses his death approaching quite fast, and he says “The horror! The horror!” because he doesn’t want to die (which would be an obvious reason), or because he thinks of his life, how he went about his business, and he knows he’s being punished for havoc he caused in the
Secondly, this phrase could be a way to warn Marlow about what he has yet to experience: life after the
RR #3
In the whole of the book, I think Kurtz represents the dark side in our selves that is admiring because our dark side is always in a way thrilling and appealing. There is a certain admiration that people feel for him even when they know he is highly capable of doing dark things. The harlequin is in complete admiration of Kurtz even though he threatened to kill him. Even Marlow who knows what Kurtz is capable of and has no boundaries, still thinks highly of Kurtz. When he talks about the “choice of nightmares” which represents either following the manager and the company or Kurtz, Marlow chooses to follow Kurtz because by choosing Kurtz, Marlow will be able to discover himself in the purpose of his life, just as Kurtz did in the forest since he was shown to be so attached and interdependent of it. Marlow also chooses to keep Kurtz story safe because the story deserves to be told in an honorable way.
In the end, when Marlow meets Kurtz fiancée to present her his letters, she equally shows a strong admiration from Kurtz. We also see that Marlow was indeed affected by Kurtz’s death because he was mad at himself for just having sat there eating while Kurtz was dying in the next cabin. I think when she asks Marlow what his last words, Marlow does not want to tell her the truth about his last words being “The horror! The horror!” and says Kurtz’s last word were her name, because he does not to stop the illusion that Kurtz was this amazing and admirable person. In reality Kurtz was not thinking about his fiancée but rather that he was leaving his home forever and that his home no longer resided in Europe.
Wednesday, February 9, 2011
Excerpt from 3rd RR
Tuesday, February 8, 2011
Mystery in the Congo- they're all Colonel Mustard
The locals treat Kurtz as a source of wisdom, of genius and of knowledge in the Congo, a sort of beacon. I think this is particularly interesting as it really represents Marlow’s descent into the Congo and the madness that takes Europeans there. This helps to paint the Congo even further as an element of Change, as it deeply changes the Europeans who set foot there, of which Marlow and especially Kurtz are the typical examples of this. For me, this definitely is the key element to building the air of mystery of the Congo in Heart. The book is heavily themed on the fact that the Congo is something unknown, dark and mysterious. Kurtz is similarly unknown and shady character and is thus a personalization of the Congo itself. Over the course of this passage, Marlow’s character is seen to begin degrading and getting used to life in the Congo, and as his mind degrades as well we can see him becoming more and more on the level of the natives. I also thought that Marlow’s commentaries on the cannibals were very interesting- he is wary of them and unsure why they haven’t eaten him, this adds to the tone of madness that pervades this part and adds some paranoia to Marlow’s character, which certainly helps to reinforce the tone of his loss of reason. Another important factor is Marlow’s loss of respect for Kurtz when he finds that he has lost his “Europeanness” and has “gone native.”